Erik Nyström is a composer whose output includes electroacoustic works, live computer music, and sound installations. The majority of his works are created for multichannel sound projection, and among the recurring interests in his practice are synthetic sound, algorithmic systems, spatial texture, posthumanism, and visual and physical listening experiences. He also writes on topics related to these themes.
He is a Lecturer in Music at City, University of London, and was previously a Leverhulme Research Fellow at BEAST (Birmingham Electroacoustic Sound Theatre), University of Birmingham, where he did a project on live performance, algorithmic processes and synthesis in multichannel music, involving machine learning and other models.
Nyström performs worldwide and his music has been published by empreintes DIGITALes.
For publications, go to academia.edu: link